interstellART - Retrospective 2025

 


The art retrospective was a welcome opportunity to reflect on the treasures in the Second Life account inventory. Digital data is fragile and can be quickly lost if not properly maintained. This was demonstrated by the crash of the asset server in the OS Grid a few months ago, and during the repair time, this retrospective was created together with some colleagues who had previously worked in the interstellART art group.

Asmita Duranjaya, Caro Fayray, Barret Darkworld, Claude Belgar, Jaime Poutine, Xirana Oximoxi, Sanjeewa Kumara and Sujeewa Kumari showed artworks from ten different years, following their own development as artists in virtuality. The sim will close in a week as OS Grid is back and there is a lot of work to be done. Nevertheless, this Second Life exhibition was an interesting opportunity to remember the past decades.


The sim landscape by Sominel Edelman was a suitable basis for this exhibition.


The Welcome-area with info-ncs, a flight-bubble and a tp-map


Caro Fayray's retrospective


Barret Darkfold's retrospective


Asmita Duranjaya's retrospective


Sujeewa Kumari's retrospective


Xirana Oximoxi's retrospective


Sanjeewa Kumara's retrospective


Pieces from Asmita's art collection by Corcosman Voom, lalie Sorbet, JfR Beaumont, Sheba Blitz, Firlefanz Roxley, Moewe Winkler, Roland Teichmann, Alesia Barbosa, snakeappletree and SissCriss


Relax spot with waterfall, lotus-pads and flying bats


The retrospective of Claude Belgar


Retrospective of Asmita's Fracticularium


A second spot with artwork of Asmita's collection with pieces by Elros Tuominen, Scottius Polke, Natsha Lemton, vroum Short, oona Eiren, IanLee Patton, Lusus Saule, Louly Loon, Anelie Abeyante, Harter Fall


The retrospective of Jaime Poutine


Sculptures and buildings in the landscape by Asmita


Rezzer-objects by Asmita on layer 1000


Fractal 3D-pictures by Asmita Duranjaya


Fractal mazes by Asmita


Thanks to all participants and guests!

Comments

Article on Asmita Duranjaya (p.111ff)